Author Archives: madalenapestana

Experiencing a Soundscape

  Hoon Kim for the Architectural Association, 2009   “The use of land contributes to the image of a space. People experiencing noise pollution in New York City report disturbances through 311 phone calls. Midtown Manhattan is full of various blaring

Experiencing a Soundscape

  Hoon Kim for the Architectural Association, 2009   “The use of land contributes to the image of a space. People experiencing noise pollution in New York City report disturbances through 311 phone calls. Midtown Manhattan is full of various blaring

THE DAWN OF ARTIFICIAL

Hans Hollein, Man TransFORMS, 1976 “What supposedly distinguishes humans from their primate ancestors is their ability not to use tools but to integrate them into everyday activities, find fresh uses for them, and to create new ones. This evoluctionary sequence

THE DAWN OF ARTIFICIAL

Hans Hollein, Man TransFORMS, 1976 “What supposedly distinguishes humans from their primate ancestors is their ability not to use tools but to integrate them into everyday activities, find fresh uses for them, and to create new ones. This evoluctionary sequence

ARTIFICIAL CITIES (II) & TECNOCRACY

Urban Renewal in New York Project, New York, New York. Aerial perspective “Today for the first time in the history of mankind, at this moment when immensely developed science and perfected technology offer the means, we are building what we

ARTIFICIAL CITIES (II) & TECNOCRACY

Urban Renewal in New York Project, New York, New York. Aerial perspective “Today for the first time in the history of mankind, at this moment when immensely developed science and perfected technology offer the means, we are building what we

Henry Moore was there, but had to leave. — the arpanet dialogues vol.III (1976)

_______ROSALIND KRAUSS_______  3 (…) ROSALIND KRAUSS I dont consider artists any more or less free than their compatriots. What I said was that the avant garde today has chosen to explore political and philosophical issues through the lens of what

Henry Moore was there, but had to leave. — the arpanet dialogues vol.III (1976)

_______ROSALIND KRAUSS_______  3 (…) ROSALIND KRAUSS I dont consider artists any more or less free than their compatriots. What I said was that the avant garde today has chosen to explore political and philosophical issues through the lens of what

Jane Fonda wasn’t (really) there. — the arpanet dialogues vol.1 (1975)

  3               7 33333333 MARCEL BROODTHAERS I wonder how long she will be. EDWARD SAID Well perhaps we can start without her. RONALD REAGAN What are we starting anyway. MARCEL BROODTHAERS I say

Jane Fonda wasn’t (really) there. — the arpanet dialogues vol.1 (1975)

  3               7 33333333 MARCEL BROODTHAERS I wonder how long she will be. EDWARD SAID Well perhaps we can start without her. RONALD REAGAN What are we starting anyway. MARCEL BROODTHAERS I say

Research Framework: organization after networks

Theme 3: The Question of Organisation After Networks The idea of the ‘self-organising network’ has reshaped politics and notions of agency in models of the environment, cognitive science, warfare, government, grassroots activism and even service provision. How does this embrace

Research Framework: organization after networks

Theme 3: The Question of Organisation After Networks The idea of the ‘self-organising network’ has reshaped politics and notions of agency in models of the environment, cognitive science, warfare, government, grassroots activism and even service provision. How does this embrace